Backrooms

“The POV camcorder sections were superb and easily my favorite parts of the film.”

altaccount69420100▲ 3,650about 0–100% inread it ↗

“The part where Clark goes into the room with only the Christmas tree lighting the room and this creepy version of Feliz Navidad playing was my favorite part of the movie, just so eerie and creepy.”

altaccount69420100▲ 3,650about 0–100% inread it ↗

“I do think the ending was a bit clunky, they kinda showed too much in my opinion”

altaccount69420100▲ 3,650about 80–100% inread it ↗

“by the final chase scene I wasn’t really feeling scared at all tbh”

altaccount69420100▲ 3,650about 80–100% inread it ↗

“I personally spent about half of the movie trying to figure things out as the characters tried to figure things out.”

PrpleDinoB0iiiabout 0–50% inread it ↗

“Once that aha moment and everything clicked together, everything became a lot scarier.”

PrpleDinoB0iiiabout 50–100% inread it ↗

“Na minha interpretação, o filme não se perde em sua segunda metade; quem se perde é o próprio Clark. Sua transformação psicológica faz parte da narrativa e representa o impacto daquele ambiente inexplicável sobre sua sanidade.”

Daviii201about 50–100% inread it ↗

“es un poco lenta al inicio”

Manuelchj28about 0–15% inread it ↗

“While the opening scene is interesting, the scene where the protagonist finds them is not.”

Alejandro Merino Ortegaabout 0–15% inread it ↗

“Having a clear exit point significantly reduces the tension for him. He controls the space, he's oriented, and he doesn't seem lost or confused by having to take paths he wouldn't choose if fleeing the creature. He quickly finds his way back. This sequence evokes so little fear that the protagonist even goes back to grab a stool. (He's not afraid of the place; he controls it.)”

Alejandro Merino Ortegaabout 15–25% inread it ↗

“Anointing a young, first-time big screen director as the new filmmaking messiah of his or her particular genre is a risky undertaking, to be sure. Does the fledgling auteur have what it takes to live up to that auspicious title? Is this an ordination that’s truly warranted? It’s serious business, both for box office tallies and artistically speaking. But does the heir apparent truly possess the skills, talent and vision to achieve success on both fronts? That’s something worth considering in lig”

Brent Marchantread it ↗

“**Score: 3/10 — An Engaging Walk to Nowhere** I don't like movies that go nowhere, don't make any sense, or lack an actual ending. And *Backrooms*? It's the poster child for all three. I feel like I've wasted a part of my life that I will never get back... time that could have been better spent watching a different movie. The concept is solid. Kane Parsons, the 20-year-old director behind the viral YouTube series, brings the internet's favourite liminal space nightmare to the big screen. C”