pulling the feels…
pulling the feels…
FLICKFEEL
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from 24 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
16
how good a time it was
MEANINGFUL
63
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 24 comments (23 from Metacritic, 1 from TMDB reviews) — 4 of them described how it moves.
Thin evidence — the shape below rests on 4 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“One problem is that the ending isn’t very good.”
HellHoleHorror · Metacritic ↗
“For roughly the first thirty minutes it's actually a legitimate, if silly, gripe about the dangers of an over-stimulated society”
drqshadow · Metacritic ↗
“but once its imagery begins to venture into the surreal it really loses the plot.”
drqshadow · Metacritic ↗
“Only the beginning was a bit interesting.”
gracjanski · Metacritic ↗
“a very good ending”
Meth-dude · Metacritic ↗
Read 28 Aug 2026 · confidence 14% · too thin for a score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“A fascinating rumination on humanity, technology, entertainment, sex, and politics that is virtually incomprehensible on first viewing and needs to be seen several times before one can even begin to unlock its mysteries. (Review of Original Release)”
Staff (Not credited), TV Guide Magazine · 88
“Its dense mysteries remain more tantalizing than distancing: No other director integrates the creepy with the cerebral quite like Cronenberg. (Review of DVD 9/13/04)”
Scott Tobias, The A.V. Club · 80
“Film is dotted with video jargon and ideology which proves more fascinating than distancing. And Cronenberg amplifies the freaky situation with a series of stunning visual effects. (Review of Original Release)”
Staff (Not credited), Variety · 80
“Though Videodrome finally grows grotesque and a little confused, it begins very well and sustains its cleverness for a long while.”
Janet Maslin, The New York Times · 70
“Never coherent and frequently pretentious, the film remains an audacious attempt to place obsessive personal images before a popular audience--a kind of Kenneth Anger version of "Star Wars." (Review of Original Release)”
Dave Kehr, Chicago Reader · 40
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“One problem is that the ending isn’t very good.”
HellHoleHorrorabout 75–100% inread it ↗
“For roughly the first thirty minutes it's actually a legitimate, if silly, gripe about the dangers of an over-stimulated society”
drqshadowabout 0–15% inread it ↗
“but once its imagery begins to venture into the surreal it really loses the plot.”
drqshadowabout 15–100% inread it ↗
“Only the beginning was a bit interesting.”
gracjanskiabout 0–15% inread it ↗
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