pulling the feels…
pulling the feels…
FLICKFEEL
52
from 53 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
0
how good a time it was
MEANINGFUL
46
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 53 comments (49 from Metacritic, 4 from TMDB reviews) — 15 of them described how it moves.
Thin evidence — the shape below rests on 15 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“I just expected more of a pay off at the end”
Travis Bell · TMDB reviews ↗
“it was a visceral "revelation" that **** the fourth wall of conventional storytelling. This film presented a "chewy" and complex narrative rhythm, weaving six different eras into a singular, high-tension masterpiece that demanded absolute immersion. For a viewer who thrives on "raw" and interconnected themes of human soul and destiny, this experience was nothing short of "sensational."”
famfacat · Metacritic ↗
“It throws a ton of storylines, timelines, themes, and reincarnation ideas at you, but instead of feeling deep, it mostly ends up feeling messy.I kept waiting for that big emotional click people talk about, but the constant jumping between eras made it hard to care about anyone for more than a few minutes.”
ahmetcanerkara · Metacritic ↗
“salmigondis infernal à l’écran pendant presque trois plombes qui en paraissent douze. Un bordel indescriptible donc, une méga chiée de film de merde pas regardable et chiant come la mort”
Broyax · Metacritic ↗
“Things are so breakneck that, even at three unusually long hours, I felt like I was missing large swaths of story, merely scratching the surface of what was actually going on. The editing is partly to blame for that, with its dizzying leaps across generations (which, in some instances, occur several times in a single scene)”
drqshadow · Metacritic ↗
“when the story comes full circle it feels pretty rewarding”
Thazari · Metacritic ↗
Read 25 Aug 2026 · confidence 100% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“It fascinates in the moment. It's getting from one moment to the next that is tricky. Surely this is one of the most ambitious films ever made.”
Roger Ebert, Chicago Sun-Times · 100
“Its too-muchness is also the source of its power; I was absolutely never bored, and felt surprised when the movie ended. It's an amazing, baffling, thrilling and (for many, it would appear) irritating experience, and for my money the most beautiful and distinctive big-screen vision of the year.”
Andrew O'Hehir, Salon · 100
“It has laser gun fights, forbidden love, and a rollicking group breakout from a fascistic old folks' home. What more could anyone want?”
Marc Mohan, Portland Oregonian · 91
“This remarkable adaptation of the supposedly "unfilmable" novel by David Mitchell achieves near-perfection on virtually all levels.”
Marc Savlov, Austin Chronicle · 89
“Superior filmmaking. Yes, it runs almost three hours - but you've probably seen 90-minute films that felt a lot longer.”
Calvin Wilson, St. Louis Post-Dispatch · 88
Scores from Metacritic and Rotten Tomatoes, read 25 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“it was a visceral "revelation" that **** the fourth wall of conventional storytelling. This film presented a "chewy" and complex narrative rhythm, weaving six different eras into a singular, high-tension masterpiece that demanded absolute immersion. For a viewer who thrives on "raw" and interconnected themes of human soul and destiny, this experience was nothing short of "sensational."”
famfacatabout 0–100% inread it ↗
“It throws a ton of storylines, timelines, themes, and reincarnation ideas at you, but instead of feeling deep, it mostly ends up feeling messy.I kept waiting for that big emotional click people talk about, but the constant jumping between eras made it hard to care about anyone for more than a few minutes.”
ahmetcanerkaraabout 0–100% inread it ↗
“salmigondis infernal à l’écran pendant presque trois plombes qui en paraissent douze. Un bordel indescriptible donc, une méga chiée de film de merde pas regardable et chiant come la mort”
Broyaxabout 0–100% inread it ↗
“Things are so breakneck that, even at three unusually long hours, I felt like I was missing large swaths of story, merely scratching the surface of what was actually going on. The editing is partly to blame for that, with its dizzying leaps across generations (which, in some instances, occur several times in a single scene)”
drqshadowabout 0–100% inread it ↗
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