pulling the feelsβ¦
pulling the feelsβ¦
FLICKFEEL
67
from 41 comments
COMMUNITY
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nobody yet
YOURS
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FUN
11
how good a time it was
MEANINGFUL
37
how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 41 comments (38 from Metacritic, 3 from TMDB reviews) β 12 of them described how it moves.
Thin evidence β the shape below rests on 12 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
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Hover the curveDrag across the curve to see what people said at any point.
βAt running time 1 h 30 min this film expertly paced.β
badshaped Β· Metacritic β
βThe ending of the film seems to emphasize the idiotic logic of the world of the film.β
eva3si0n Β· Metacritic β
βBut many scenes are too longβ
gracjanski Β· Metacritic β
βThere are some good tense scenes such as the climax scene.β
akshatmahajan Β· Metacritic β
βI didn't like the ending thoughβ
BeatrixKiddo Β· Metacritic β
βthe sudden reveal and the ensuing drama packed quite a punchβ
Popcorn55 Β· Metacritic β
Read 28 Aug 2026 Β· confidence 100% Β· scored on the same 0-100 scale as a community score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βItβs an effective ploy, forcing us to confront certain basic facts about the state of the world around us without sounding preachy, and it articulates a decidedly working-class anger in response to social iniquity without sounding self-righteous. And it does all of this while retaining the surface appeal of its B-movie origins, frequently (and entertainingly) indulging in the seductive spectacle of ghouls and guns in combatβthough always with ulterior motives.β
Callum Marsh, Slant Magazine Β· 100
βThe terrors put forth by the film are at once specific to the era of its production and timeless in their direct connection to the American experience.β
Dominick Suzanne-Mayer, Consequence Β· 91
βHas its share of underthought or overwrought moments. The tone keeps shifting radically. It has some silly lines, plot lapses and goofball action scenes. But you can forgive the movie everything because of the sheer nasty pizazz of its central concept. [4 Nov 1988]β
Michael Wilmington, Los Angeles Times Β· 80
βThey Live, Carpenterβs 1988 paranoid freakout, deserves to be thought of as a masterpiece, an artistβs defiant last grab at substance before losing the thread. Itβs a cheesy but lovable movie.β
Joshua Rothkopf, Rolling Stone Β· 80
βAll this colorful mayhem is mere warm-up to the great rabble-rousing catchphrase Nada delivers when he enters a bank, armed to the hilt: "I have come here to chew bubblegum and kick assβ¦ and I'm all out of bubblegum."...I love that line as much as anyone else, which is enough to make any cultist salivate like a dog in anticipation, but here's the thing: I wish a better actor than Roddy Piper had delivered it.β
Scott Tobias, The A.V. Club Β· 80
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βAt running time 1 h 30 min this film expertly paced.β
badshapedabout 0β100% inread it β
βThe ending of the film seems to emphasize the idiotic logic of the world of the film.β
eva3si0nabout 75β100% inread it β
βBut many scenes are too longβ
gracjanskiabout 33β66% inread it β
βThere are some good tense scenes such as the climax scene.β
akshatmahajanabout 75β100% inread it β
βI have to admit up front to liking every single, John Carpenter movie. They are works of art in there unique style and quality. This is actually my favorite of all of them. There could be a criticism that this movie is didactic and sends some sort of clumsy political or philosophical message but I'd have to reply that you simply don't get it. Unlike the modern propensity for movies to try to hammer home some political point or perspective, the message here is only window dressing. The messagβ
tmdb87069603read it β
βLife's a bitch and she's back on heat! They Live is directed by John Carpenter who also adapts the screenplay form the short story Eight O'Clock in the Morning written by Ray Nelson. It stars Roddy Piper, Keith David and Meg Foster. Music is by Alan Howarth (and Carpenter) and cinematography by Gary B. Kibbe. Unemployed drifter Nada (Piper) wanders into the city looking to find work, but upon finding a unique pair of sunglasses he sees a different world to everyone else. It's a world frequβ
John Chardread it β
βThey Live is a great movie that delivers an exceptional story with a dystopian vibe that is both thrilling and terrifying. John Carpenter's screenplay was ahead of its time in terms of its social commentary on American capitalism and the class divide. The film's story explores how a small group of people has taken control of the world by using subliminal messaging and manipulation, making it a unique sci-fi tale that is still relevant today. I particularly loved how the film built tension andβ
Nathanread it β
no tags yet β rate this flick to drop some vibes β¨