pulling the feelsβ¦
pulling the feelsβ¦
FLICKFEEL
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from 15 comments
COMMUNITY
β
nobody yet
YOURS
β
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FUN
12
how good a time it was
MEANINGFUL
34
how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 15 comments (12 from Metacritic, 3 from TMDB reviews) β 7 of them described how it moves.
Thin evidence β the shape below rests on 7 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
βthe last 10-15 minutes were particularly greatβ
JPV852 Β· TMDB reviews β
βthe middle part plodded along at a slow pace with little happening that was interesting outside a scene or twoβ
JPV852 Β· TMDB reviews β
βFrom a rather murky start in a Roman hospitalβ
CinemaSerf Β· TMDB reviews β
βRichard Donner does well to build and to sustain a sense of peril from pretty much the outset of this filmβ
CinemaSerf Β· TMDB reviews β
βa thrilling climaxβ
HellHoleHorror Β· Metacritic β
βthe in between scenes here are pretty uninterestingβ
royalguy07 Β· Metacritic β
Read 28 Aug 2026 Β· confidence 11% Β· too thin for a score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βMuch scarier than fellow possessed child flick The Exorcist, which predated it by three years, The Omen contains some of the most memorable untimely deaths in cinema history.β
Anna Baddeley, The Telegraph Β· 100
βThe performance of Harvey Stephens as the young Damien has invested the film with the chill of genuine credibility.β
David Parkinson, Empire Β· 80
βThis apocalyptic movie mostly avoids physical gore to boost its relatively unoriginal storyline with suspense, some excellent acting (especially from Warner and Whitelaw), and a very deft, incident-packed script.β
Staff (Not Credited), Time Out London Β· 80
βSuspenser starring Gregory Peck and Lee Remick as the unwitting parents of the Antichrist. Richard Donner's direction is taut. Players all are strong.β
Staff (Not Credited), Variety Β· 80
βThe Omen takes all of this terribly seriously, as befits the genre that gave us Rosemaryβs Baby and The Exorcist. What Jesus was to the 1950s movie epic, the devil is to the 1970s, and so all of this material is approached with the greatest solemnity, not only in the performances but also in the photography, the music and the very looks on people's faces.β
Roger Ebert, Chicago Sun-Times Β· 63
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βa thrilling climaxβ
HellHoleHorrorabout 75β100% inread it β
βthe in between scenes here are pretty uninterestingβ
royalguy07about 15β75% inread it β
βthe film is tense and a little scaryβ
FilipeNetoabout 0β100% inread it β
βIn the beginning it's very much like a family dramaβ
Rcavey92212about 0β33% inread it β
βthe last 10-15 minutes were particularly greatβ
JPV852about 85β100% inread it β
βthe middle part plodded along at a slow pace with little happening that was interesting outside a scene or twoβ
JPV852about 33β66% inread it β
βFrom a rather murky start in a Roman hospitalβ
CinemaSerfabout 0β15% inread it β
βRichard Donner does well to build and to sustain a sense of peril from pretty much the outset of this filmβ
CinemaSerfabout 0β100% inread it β
no tags yet β rate this flick to drop some vibes β¨