pulling the feels…
pulling the feels…
FLICKFEEL
57
from 29 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
26
how good a time it was
MEANINGFUL
24
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 29 comments (22 from Metacritic, 7 from TMDB reviews) — 7 of them described how it moves.
Thin evidence — the shape below rests on 7 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“The opening act drives home that "Licence to Kill" is a more serious and brutal Bond flick.”
Wuchak · TMDB reviews ↗
“the climactic eighteen-wheeler chase along winding, mountainous roads”
drqshadow · Metacritic ↗
“the final act is totally kick-ass if you can stick around”
liamexe · Metacritic ↗
“very slow and drags for a while”
Toasty87 · Metacritic ↗
“The film just falls apart, much like the first Dalton film, in the second half”
imthenoob · Metacritic ↗
“it already wasn't off to a good start, to begin with”
imthenoob · Metacritic ↗
Read 28 Aug 2026 · confidence 41% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“The James Bond production team has found its second wind with Licence to Kill, a cocktail of high-octane action, spectacle and drama...The thrills-and-spills chases are superbly orchestrated as pic spins at breakneck speed through its South Florida and Central American locations.”
Staff (Not Credited), Variety · 90
“On the basis of this second performance as Bond, Dalton can have the role as long as he enjoys it. He makes an effective Bond - lacking Sean Connery's grace and humor, and Roger Moore's suave self-mockery, but with a lean tension and a toughness that is possibly more contemporary.”
Roger Ebert, Chicago Sun-Times · 88
“If Licence to Kill has one of Bond`s best heavies, it also has one of his best heroines in Carey Lowell, a strapping brunet who plays an ex-Army pilot reluctantly enrolled on Bond`s side. Lowell`s line readings may be only adequate, but she moves with the grace and vigor an action movie needs.”
Dave Kehr, Chicago Tribune · 88
“The series has been with us since 1962 and, like many another old timer, tends to repeat itself. Yet, every once in a while, it pulls in its stomach, pops the gun from its cummerbund, arches its eyebrow and gets off another bull's-eye. The newest, Licence to Kill, is probably one of the five or six best of Bond.”
Michael Wilmington, Los Angeles Times · 80
“Not since Dr. No has 007 been so cool and ruthless, and never has a plot been this close to realistic plausibility.”
James Berardinelli, ReelViews · 75
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
it reviews better than it plays — critics 69, the watch 57
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“the climactic eighteen-wheeler chase along winding, mountainous roads”
drqshadowabout 80–100% inread it ↗
“the final act is totally kick-ass if you can stick around”
liamexeabout 75–100% inread it ↗
“very slow and drags for a while”
Toasty87about 15–85% inread it ↗
“The film just falls apart, much like the first Dalton film, in the second half”
imthenoobabout 50–100% inread it ↗
“The opening act drives home that "Licence to Kill" is a more serious and brutal Bond flick.”
Wuchakabout 0–15% inread it ↗
“I was just not a fan of Timothy Dalton's "007" and so can't say I was looking forward with much enthusiasm to this. Sadly, it didn't surprise - it's a really far fetched, frankly rather unpleasant, outing for Ian Fleming's deadly agent that sees him on the trail of an evil drug lord who fed "Felix" (David Hedison) to a shark whilst doing away that man's new wife. What now ensues is just a series of unremarkable set-piece escapades that have precious little jeopardy to them. Anthony Zerbe just do”
CinemaSerfread it ↗
“**License to Kill transformers Bond from a goofy punchline to a vengeful unstoppable force, turning the franchise from whimsical to gritty and producing one of the best films of the series.** License to Kill marked a major shift in the franchise away from the campy, goofy, and almost family-friendly Roger Moore Bind films to something darker and more brutal. Timothy Dalton’s Bond is savage and emotional, using only his wits to track down an elusive drug lord and devising an elaborate scheme t”
The Movie Mobread it ↗
“This 007 film stays true to its motif. This begins an era of "no fun" 007 films, where the wit is very minimal and every scene is whiplash brutal. However, unlike most later 007 films, this one stays true to its design. It doesn't try to "contrive" the story. Instead, there is a flow. One interesting aspect is that we see something worse than "death", as is pointed out earlier, with David Hedison getting brutal treatment in his recurring Felix role. We see the beginning of an era where evil ”
no tags yet — rate this flick to drop some vibes ✨
drystyxread it ↗