pulling the feelsβ¦
pulling the feelsβ¦
FLICKFEEL
61
from 28 comments
COMMUNITY
β
nobody yet
YOURS
β
β¦
FUN
15
how good a time it was
MEANINGFUL
51
how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 28 comments (27 from Metacritic, 1 from TMDB reviews) β 5 of them described how it moves.
Thin evidence β the shape below rests on 5 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
βI was expecting it to end soonerβ
MatePolcz Β· Metacritic β
βlong, boring, poorly pacedβ
davygravy93 Β· Metacritic β
βThe pacing is also pretty bad, long build ups to events that never deliver enough for the time investment needed to see it.β
davygravy93 Β· Metacritic β
βThe first 20 minutes it seems that before you the excellent thriller.β
eva3si0n Β· Metacritic β
βAnd then everything becomes sad and boring.β
eva3si0n Β· Metacritic β
βAnd end of the movie in general turns everything into the comedy.β
eva3si0n Β· Metacritic β
Read 25 Aug 2026 Β· confidence 27% Β· scored on the same 0-100 scale as a community score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βBold, gruesome and melancholic, this Gothic horrorfest offers us much to sink our teeth into: Cruise - who effectively disappears from the screen for half the film's duration - is terrific, Dunst eerily compelling, Banderas hypnotic.β
Adam Smith, Empire Β· 100
βThe generally faithful script is by Anne Rice herself, the director is "The Crying Game"'s Neil Jordan, and both seem true to themselves and as true as they can be to artistic and visceral expectations. [11Nov1994 Pg. 01.D]β
Mike Clark, USA Today Β· 100
βInterview With the Vampire is still horribly exciting, shocking and funny.β
Peter Bradshaw, The Guardian Β· 100
βHis sumptuous film is as strange and mesmerizing as it is imaginatively ghastly. It's a sophisticated, spookily intense rendering of Ms. Rice's story.β
Janet Maslin, The New York Times Β· 90
βBut if you can get swept up in the story, the movie is imaginative and compelling.β
Jonathan Rosenbaum, Chicago Reader Β· 80
Scores from Metacritic and Rotten Tomatoes, read 25 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βI was expecting it to end soonerβ
MatePolczabout 75β100% inread it β
βlong, boring, poorly pacedβ
davygravy93about 0β100% inread it β
βThe pacing is also pretty bad, long build ups to events that never deliver enough for the time investment needed to see it.β
davygravy93about 0β100% inread it β
βThe first 20 minutes it seems that before you the excellent thriller.β
eva3si0nabout 0β15% inread it β
βThis is a much more sophisticated take on the vampire through-the-ages narrative; but it has certainly dated in the almost 30 tears since Neil Jordan put together a stellar, if not great, cast to regale us with the tale of "Louis" (Brad Pitt) & "Lestat" (Tom Cruise). Told in flashback to a very sceptical reporter "Daniel" (Christian Slater), Pitt tells of his near 200 year life that started with his meeting with Cruise and his conversion to his immortal existence based on blood. It's a hugely laβ
CinemaSerfread it β
no tags yet β rate this flick to drop some vibes β¨