pulling the feelsβ¦
pulling the feelsβ¦
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FUN
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how good a time it was
MEANINGFUL
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how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
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Read from 5 comments (4 from TMDB reviews, 1 from Metacritic) β 1 of them described how it moves.
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βThe film is heavy, especially given the type of material it deals with, and maintains a tense atmosphere from start to finish, raising the bar with each passing moment. There is great care in building tension, each scene slowly contributes to an unpleasant feeling in the audience.β
Ricardo Oliveira Β· TMDB reviews β
Read 28 Aug 2026 Β· confidence 0% Β· too thin for a score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βThis early precursor to Sunset Boulevard and The Bad and the Beautiful was so inside that many people outside the movie business didn't catch the nuances, and it still packs a considerable comic punch.β
Staff (Not Credited), TV Guide Magazine Β· 100
βI have a weakness for inside Hollywood films, and this smart and fearless item starring Jean Harlow as an amalgam of herself and Clara Bow is not as well-known as it should be. [03 Apr 2020, p.E1]β
Kenneth Turan, Los Angeles Times Β· 90
βIt's loud, abrasive, and as soothing as a slug of battery acid. This crackling 1933 satire directed by Victor Fleming skewers the Hollywood star system with saber-sharp precision. [23 Nov 2006, p.5]β
Staff (Not Credited), Boston Globe Β· 88
βOne of the funniest pictures of the year: a farce with Frank Morgan, Lee Tracy, Ted Healy and particularly Jean Harlow, concerning the life and times of a Hollywood star, complete with a Marquis and three dogs.β
Pare Lorentz, Vanity Fair Β· 80
βHere's a crackling comedy built out of the low down on Hollywood, elaborately dressed up with a lot of inside stuff, written with fine jaunty insouciance and acted with luscious abandon by a tip top cast. [24 Oct 1933, p.17]β
Staff (Not Credited), Variety Β· 80
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βAmusing, fast paced satire on Hollywood and the PR machine, Jean Harlow appears to be having a good time, spoofing her image, and sending up actual productions like Red Dust. It was also nice of the film to examine the incredible fan adoration of movie stars in the 1930s,β
codyzread it β
βThe film is heavy, especially given the type of material it deals with, and maintains a tense atmosphere from start to finish, raising the bar with each passing moment. There is great care in building tension, each scene slowly contributes to an unpleasant feeling in the audience.β
Ricardo Oliveiraabout 0β100% inread it β
βThe best way to sum up βBombshellβ is that it's a story that needs to be remembered and told, yet the film we got is good but not great. While all the acting is phenomenal - especially the leads - and makeup fantastic, the story, filmmaking and editing are uncreative and thus fail to hit the home run that this should have been. Having said that βBombshellβ is still one to watch, if only to be reminded of what is still happening to women today - not just in Hollywood, but all around the world. -β
SWITCH.read it β
βI was hesitant at first to watch this movie. I couldn't imagine watching anything nearly two hours long about the Fox Network. Plus I saw a lot of negative buzz on the film. I am a progressive and have been glad to see wealthy men being held accountable for sexual harassment finally, but I wasn't anxious to watch a hit job either. I researched the actual story and it seemed to be about two old white guys in a privileged position, and if their conservative wealthy boss fired them, how unfair coulβ
Peter McGinnread it β
no tags yet β rate this flick to drop some vibes β¨