pulling the feelsβ¦
pulling the feelsβ¦
FLICKFEEL
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from 15 comments
COMMUNITY
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nobody yet
YOURS
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FUN
19
how good a time it was
MEANINGFUL
58
how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 15 comments (15 from Metacritic) β 4 of them described how it moves.
Thin evidence β the shape below rests on 4 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
βThe suspense sequences are excellently crafted and keep the tension high when it counts.β
tofa13 Β· Metacritic β
βHowever, the screenplay is quite slow, which leads to some boring stretches that require patience.β
tofa13 Β· Metacritic β
βthe ending is very satisfying and ties the story together well.β
tofa13 Β· Metacritic β
βIt starts off very wellβ
FilipeNeto Β· Metacritic β
βthe final part is pretty bad, predictable and unrealisticβ
FilipeNeto Β· Metacritic β
βThis will keep you glued to the seat till it endsβ
bdjude Β· Metacritic β
Read 28 Aug 2026 Β· confidence 7% Β· too thin for a score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βMr. Howard has made Ransom in the same clean, swift, logical style that sent his "Apollo 13" into orbit, resulting in a spellbinding crime tale that delivers surprises right down to the wire.β
Janet Maslin, The New York Times Β· 100
βThe 1996 kidnap drama Ransom traverses the parameters of public life in America, from the image public figures present to us to the image they never intended us to see. Neither one tells the whole truth. Luckily, Ransom isn't content with surfaces..β
Charles Taylor, Salon Β· 90
βAlthough the story is built around the automatically emotional situation of an imperiled kid, scripters Richard Price (who appears briefly as an uncomfortably handcuffed victim of Sinise in the early going) and Alexander Ignon and director Ron Howard largely steer clear of milking the easy melodrama.β
Todd McCarthy, Variety Β· 90
βIts major sin--a certain ineluctable improbability--is pretty much offset by the moments of winsome humanity Gibson finds for his freebooter; by the rich, nicely tuned portrayals of the other actors; and by director Ron Howard's smoothly professional mastery of yet another genre that is new to him.β
Richard Schickel, Time Β· 80
βThe movie would have benefitted from a tight rewrite (it is too ambitious in including plot threads it doesn't have time to deal with), but Gibson's strong central performance speeds it along.β
Roger Ebert, Chicago Sun-Times Β· 75
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βThe suspense sequences are excellently crafted and keep the tension high when it counts.β
tofa13about 0β100% inread it β
βHowever, the screenplay is quite slow, which leads to some boring stretches that require patience.β
tofa13about 0β100% inread it β
βthe ending is very satisfying and ties the story together well.β
tofa13about 75β100% inread it β
βIt starts off very wellβ
FilipeNetoabout 0β15% inread it β
no tags yet β rate this flick to drop some vibes β¨