pulling the feelsβ¦
pulling the feelsβ¦
FLICKFEEL
71
from 51 comments
COMMUNITY
β
nobody yet
YOURS
β
β¦
FUN
0
how good a time it was
MEANINGFUL
55
how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 51 comments (47 from Metacritic, 4 from TMDB reviews) β 16 of them described how it moves.
Thin evidence β the shape below rests on 16 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
βWhile the setup is a little blehβ
Kamurai Β· TMDB reviews β
βOnce in 1408, the intensity creeps perfectlyβ
Kamurai Β· TMDB reviews β
βAnd the ending is almost perfectβ
Kamurai Β· TMDB reviews β
βThe theatrical version felt too neat and safeβ
RalphRahal Β· TMDB reviews β
βThe directorβs cut hit harderβitβs bleak and sticks with youβ
RalphRahal Β· TMDB reviews β
βThere's a growing tension and intrigue that comes from an odd place; an unusual kind of scary that plays with something more subtle. The film builds into some great moments, but leans more on its atmosphere and scares rather than brilliant writing, with most of its greatest moments peaking earlier on.β
copperpress Β· Metacritic β
Read 26 Aug 2026 Β· confidence 100% Β· scored on the same 0-100 scale as a community score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βSwedish director Mikael Hafstrom creates a compelling ride of a movie. Every beat of the film is weighted with significance, and our mounting dread becomes almost intolerable.β
Desson Thomson, Washington Post Β· 80
βThe movie appeals to an old-fashioned sense of horror.β
Marjorie Baumgarten, Austin Chronicle Β· 78
βA deft Stephen King freak-out.β
Owen Gleiberman, Entertainment Weekly Β· 75
βSwift, sharp adaptation of Stephen King's short story (from the "Everything's Eventual" collection).β
Michael Phillips, Chicago Tribune Β· 75
βCusack, who is beginning to look disturbingly like Dustin Hoffman, is not only the film's center, but its orbit as well.β
Bill White, Seattle Post-Intelligencer Β· 75
Scores from Metacritic and Rotten Tomatoes, read 26 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βThere's a growing tension and intrigue that comes from an odd place; an unusual kind of scary that plays with something more subtle. The film builds into some great moments, but leans more on its atmosphere and scares rather than brilliant writing, with most of its greatest moments peaking earlier on.β
copperpressabout 0β70% inread it β
βThe issues there might also explain why we ended up with at least a few alternative endings which substantially change the conclusion and tone of the film and fumble with the characters.β
copperpressabout 75β100% inread it β
βthe ending, as usual in such films, was unexpected for meβ
Miyodabout 75β100% inread it β
βSeveral scenes with his daughter literally gave me chills.β
CineChamberabout 20β80% inread it β
βWhile the setup is a little blehβ
Kamuraiabout 0β15% inread it β
βOnce in 1408, the intensity creeps perfectlyβ
Kamuraiabout 15β75% inread it β
βAnd the ending is almost perfectβ
Kamuraiabout 75β100% inread it β
βThe theatrical version felt too neat and safeβ
RalphRahalabout 75β100% inread it β
no tags yet β rate this flick to drop some vibes β¨