pulling the feels…
pulling the feels…
FLICKFEEL
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from 5 comments
COMMUNITY
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nobody yet
YOURS
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…
FUN
0
how good a time it was
MEANINGFUL
0
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 5 comments (3 from Metacritic, 2 from TMDB reviews) — 1 of them described how it moves.
Thin evidence — the shape below rests on 1 comment. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“for over half of the feature it is like seeing Haneke's "Amour" again but with the protagonist suffering from a brain tumor and with the style of Zentropa productions: the same drama of an incipient death in an upper-class context”
Mauro_Lanari · Metacritic ↗
Read 24 Aug 2026 · confidence 0% · too thin for a score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“It’s an ode to the satisfactions of facing life head-on with whatever time you have left. And writer-director Maria Sødahl semi-autobiographical drama earns every iota of its hard-won uplift.”
Bob Strauss, San Francisco Chronicle · 100
“Hope isn’t about getting you to cry, even as some of its characters occasionally do, but rather giving you an invigorating, even uplifting sense of what hearts can do under duress; nothing is forcibly tragic here, just experienced fully and openly.”
Robert Abele, Los Angeles Times · 100
“To be sure, cancer may not sound like an inviting cinematic subject, especially to families and individuals who—like this writer—have been faced with its sometimes-overwhelming trials. Yet the effect of Hope is anything but depressing; it’s reassuring proof of art’s ability to comfort as it clarifies.”
Godfrey Cheshire, RogerEbert.com · 100
“Unconcerned with happy or sad endings (or endings at all beyond the desire for one to be shared and enjoyed to its fullest), [Sødahl] focuses instead on the unbridled emotions that swirl within us on the difficult journeys through tragedy. Nothing is out of bounds.”
Jared Mobarak, The Film Stage · 91
“A warm gathering of Scandinavian artists, with Sweden’s Skarsgård and Norway’s Hovig both excelling under Norwegian director Maria Sødahl’s attentive care.”
Stephen Whitty , Screen Daily · 90
Scores from Metacritic and Rotten Tomatoes, read 24 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“for over half of the feature it is like seeing Haneke's "Amour" again but with the protagonist suffering from a brain tumor and with the style of Zentropa productions: the same drama of an incipient death in an upper-class context”
Mauro_Lanariabout 0–50% inread it ↗
“Unsentimental, unique, powerful. I was deeply touched by it. Definitely worth watching.”
tibzoidread it ↗
“This movie is a mixture of many social topics that concern us, being organized coherently into a deeply touching narrative. It reveals many imperfections of the world we lived in, but the main theme is still about hope and love. While the plot is relatively simple, the acting feels truly impressive because of the genuine feelings between the lines.”
izgzhenread it ↗
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