pulling the feels…
pulling the feels…
FLICKFEEL
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from 8 comments
COMMUNITY
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nobody yet
YOURS
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…
FUN
0
how good a time it was
MEANINGFUL
0
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 8 comments (6 from Metacritic, 2 from TMDB reviews) — 3 of them described how it moves.
Thin evidence — the shape below rests on 3 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“They lost my connection early on and actually managed to alienate me quickly.”
HellHoleHorror · Metacritic ↗
“Inferno just like Suspiria suffers from story that is sometimes just bland and boring.”
Boggiebamph123 · Metacritic ↗
“la cual suena demasiado anticlimática en la película”
Panchogul · Metacritic ↗
Read 25 Aug 2026 · confidence 2% · too thin for a score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“The kind of film that starts off with a climax and builds to a plateau of surrealist delirium that, one way or another, will have you shrieking.”
Kim Newman, Empire · 100
“For all its nonsensical qualities, it also contains some of Argento's most hallucinatory images and unforgettable setpieces, as always reason enough to watch even when the usual reasons are nowhere to be found.”
Keith Phipps, The A.V. Club · 83
“There are some outstanding sequences in this movie that are truly chilling”
Almar Haflidason, BBC · 80
“Dario Argento undervalues his material, but his set pieces are glorious enough that the film’s plot contrivances can be forgiven.”
Ed Gonzalez, Slant Magazine · 75
“The writing is clumsy, with information packed crudely into the dialogue, and his attention to the performances is inversely proportional to his attention to style. Yet his “New York” has an eerie, deserted, otherworldly quality—much as Stanley Kubrick’s Eyes Wide Shut would later—and some of the individual setpieces are spectacularly vibrant.”
Scott Tobias, The A.V. Club · 75
Scores from Metacritic and Rotten Tomatoes, read 25 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“They lost my connection early on and actually managed to alienate me quickly.”
HellHoleHorrorabout 0–20% inread it ↗
“Inferno just like Suspiria suffers from story that is sometimes just bland and boring.”
Boggiebamph123about 0–100% inread it ↗
“la cual suena demasiado anticlimática en la película”
Panchogulabout 75–100% inread it ↗
“The Italian horror master Argento does something slightly below his standard with this film, the film is largely forgettable and not too scary, however it has a rather disturbing atmosphere and while watching the film entertains in an acceptable way.”
Giugiread it ↗
“**Racing to stop men with bad intention!** Compared to the first two films, it took a long time for the third film. But I expected 'The Lost Symbol' before this one. I don't know why they skipped that book from adapting which was done in the last minutes by the production house. My guess is it might be a controversial as the first one, or simply not good enough for the cinematic version. Anyway, this film was not as good as previous two. Once again, it was directed by Ron Howard and Tom Hanks”
Renoread it ↗
“**Ron Howard's Inferno.** Dan Brown has made a lot of money from his mystery books, and his popularity has meant that virtually all of his stories have been ported to the big screen. For this film, Ron Howard adapted Brown's fourth novel, set between Florence, Venice and Istanbul. In the script, Robert Langdon wakes up in a hospital in Florence and discovers that he has been attacked and shot, and that he is being pursued because he knows something important, but has lost his memory. I mean, ”
Filipe Manuel Netoread it ↗
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