pulling the feelsβ¦
pulling the feelsβ¦
FLICKFEEL
β
from 21 comments
COMMUNITY
β
nobody yet
YOURS
β
β¦
FUN
4
how good a time it was
MEANINGFUL
35
how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 21 comments (20 from Metacritic, 1 from TMDB reviews) β 7 of them described how it moves.
Thin evidence β the shape below rests on 7 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
βthe movie progresses it becomes increasingly intense as the captor goes to extreme measures to keep her victim, who is injured and has limited movementβ
rive040 Β· Metacritic β
βThis movie starts out nice enoughβ
stevekm Β· Metacritic β
βbut soon we see all is not as it seems. It only gets worse. And worse.β
stevekm Β· Metacritic β
βthe story is always well paced and compellingβ
kyle20ellis Β· Metacritic β
βchilling claustrophobiaβ
kyle20ellis Β· Metacritic β
βa numerous numbers of genuine joltsβ
kyle20ellis Β· Metacritic β
Read 25 Aug 2026 Β· confidence 20% Β· too thin for a score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βReiner captures just the right level of physical tension, but for the most part wisely emphasises the mental duels. Terrific.β
Staff (Not Credited), Time Out London Β· 100
βThe actors are supported by the best kind of writerly craft and directorial technique, the kind that refuses to call attention to itself, never gets caught straining for scares or laughs. Popular moviemaking -- elegantly economical, artlessly artful -- doesn't get much better than this.β
Richard Schickel, Time Β· 100
βIn a way, Misery is a ghoul comedy. But it's more than that, because it's genuinely, consistently scary. With his enthusiastic direction -- the cutting, the odd angles, the unexpected timing -- Rob Reiner takes what might have been a static set-up, a couple of people talking in a room, and makes it harrowing. [30 Nov 1990, p.E1]β
Mick LaSalle, San Francisco Chronicle Β· 100
βMisery offers a first-rate Hitchcockian thriller filled with amazing performances, solid direction and masterful writing.β
Christopher Monfette, IGN Β· 90
βIt does what it desires to do - it suspensefully squeezes the sweat out of the pores - but the salty stench it leaves behind in the persona of Annie Wilkes is a residue that transcends its intentions. [30 Nov 1990]β
Jay Scott, The Globe and Mail (Toronto) Β· 88
Scores from Metacritic and Rotten Tomatoes, read 25 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βthe movie progresses it becomes increasingly intense as the captor goes to extreme measures to keep her victim, who is injured and has limited movementβ
rive040about 75β100% inread it β
βThis movie starts out nice enoughβ
stevekmabout 0β15% inread it β
βbut soon we see all is not as it seems. It only gets worse. And worse.β
stevekmabout 15β100% inread it β
βthe story is always well paced and compellingβ
kyle20ellisabout 0β100% inread it β
no tags yet β rate this flick to drop some vibes β¨