pulling the feelsβ¦
pulling the feelsβ¦
FLICKFEEL
51
from 35 comments
COMMUNITY
β
nobody yet
YOURS
β
β¦
FUN
18
how good a time it was
MEANINGFUL
47
how much it moved you
Two separate readings, not parts of the score β the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 35 comments (30 from Metacritic, 5 from TMDB reviews) β 11 of them described how it moves.
Thin evidence β the shape below rests on 11 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
βBenedict's move against them is the most interesting part, but is relegated to the beginning of the movieβ
Kamurai Β· TMDB reviews β
βpads the run time without making the movie more entertainingβ
Kamurai Β· TMDB reviews β
βthe film really does suffer from truly lethargic pacing, some of the film was so slow I almost fell asleep between one key twistβ
kyle20ellis Β· Metacritic β
βdevelopment feels slowβ
alejandro970 Β· Metacritic β
βevery scene was filled with laughterβ
Diptanshu Β· Metacritic β
βi was laughing really hard at that julia roberts jokeβ
Diptanshu Β· Metacritic β
Read 26 Aug 2026 Β· confidence 80% Β· scored on the same 0-100 scale as a community score Β· how this works
Published reviews, not felt experience β a different question from the one above, and never mixed into the FlickFeel score.
βSoderbergh seems to have found his vision again. It'll be a great day when he returns to writing his own material, but until then, this is none too shabby.β
Luke Y. Thompson, Dallas Observer Β· 80
βFor sheer urbane elegance coupled with technical mastery and lush, old-fashioned élan, no one working for the studios today comes close to the versatile Soderbergh.β
Ella Taylor, L.A. Weekly Β· 80
βLet’s be honest: With a cast like this, it doesn't matter too much what the characters are doing onscreen, or if it makes about as much sense as a monochrome rainbow.β
Marc Savlov, Austin Chronicle Β· 78
βEnjoyable, and will likely appeal to anyone who appreciated the 2001 film.β
James Berardinelli, ReelViews Β· 75
βSoderberg provides a cornucopia of fizzy, post–New Wave imagery, fitting for a picture that’s pretty much all about surfaces.β
Glenn Kenny, Premiere Β· 75
Scores from Metacritic and Rotten Tomatoes, read 25 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
βthe film really does suffer from truly lethargic pacing, some of the film was so slow I almost fell asleep between one key twistβ
kyle20ellisabout 0β100% inread it β
βdevelopment feels slowβ
alejandro970about 0β100% inread it β
βevery scene was filled with laughterβ
Diptanshuabout 0β100% inread it β
βi was laughing really hard at that julia roberts jokeβ
Diptanshuabout 60β80% inread it β
βBenedict's move against them is the most interesting part, but is relegated to the beginning of the movieβ
Kamuraiabout 0β15% inread it β
βpads the run time without making the movie more entertainingβ
Kamuraiabout 15β100% inread it β
βConvoluted Cack! Ocean's 11 was a slick movie, ultra cool and up there with the best as regards superior remakes. Ocean's Twelve is a waste, a film coasting on star appeal, a picture desperately trying to cram as much into its screenplay for fear of failing. The plot shoots off in a number of directions, yet incredibly it still wastes most of the cast who have all been held over from Ocean's 11. This time Catherine Zeta-Jones joins in for some weighty dressage and Vincent Cassel is along aβ
John Chardread it β
βNo it's not good. I guess a lot of people like it, a lot of people hate it... and I fall into the hate it camp. The problem is the plot, as so many others have no doubt pointed out. It makes sense on the surface level... and is so absolutely surface that when they try to add a twist or two it come across as an insult to the viewers. It is one of those films where the entire responsibility is left on the writers, the plot just doesn't work for an Ocean's movie. The twists don't work. They tβ
no tags yet β rate this flick to drop some vibes β¨