pulling the feels…
pulling the feels…
FLICKFEEL
59
from 50 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
36
how good a time it was
MEANINGFUL
21
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 50 comments (48 from Metacritic, 2 from TMDB reviews) — 19 of them described how it moves.
Thin evidence — the shape below rests on 19 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“Roskam is in no hurry what so ever to spin his picture's literary worth, very much favouring a slow b”
John Chard · TMDB reviews ↗
“work up to it's clever conclusion”
CinemaSerf · TMDB reviews ↗
“It did well at portraying a quite dark and shifty atmosphere from early on as well. The musical score, including background music/sounds, did well at makign me, as a viewer, feel uncomfortable and like anything could happen at any moment”
DawdlingPoet · Metacritic ↗
“muy bien llevado hasta el desenlace final”
daviddelnorte23 · Metacritic ↗
“managed to build up tension and suspense until one of the best movie climaxes i have ever seen”
victorheisenber · Metacritic ↗
“from start to the end”
NRNSW · Metacritic ↗
Read 28 Aug 2026 · confidence 100% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“The Belgian Roskam, making only his second feature film, and his first in English, displays remarkable assurance, with both the actors and the film’s very American setting. He creates an escalating sense of dread, tinged with Lehane’s brand of mordant humor.”
Chuck Wilson, Village Voice · 90
“Mr. Hardy's Brooklyn accent is not only flawless — a Londoner by birth, he's a vocal chameleon who played a Welshman in "Locke" — but tinged, I do believe, with a blithe, spot-on tribute to a blue-collar guy from another borough, Ernest Borgnine's immortal Marty. Here's a far-from-minor performance by a major star in the making.”
Joe Morgenstern, Wall Street Journal · 90
“I found this dark odyssey through an amoral dream Brooklyn curiously invigorating; it’s a masterful construction that held me rapt from first shot to last, that builds intense electrical energy and then releases it.”
Andrew O'Hehir, Salon · 90
“The Drop is a simmering thriller from the writer who gave us “Mystic River” and “Gone, Baby Gone,” a tale heavy with the weight of violence we know is coming.”
Roger Moore, McClatchy-Tribune News Service · 88
“The Drop is filled with many such small, near-perfect moments where there’s so much more going on beyond the simple exchanges of dialogue.”
Richard Roeper, Chicago Sun-Times · 88
Scores from Metacritic and Rotten Tomatoes, read 28 Aug 2026. Quotes belong to their publications and link to the full reviews.
it reviews better than it plays — critics 79, the watch 59
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“It did well at portraying a quite dark and shifty atmosphere from early on as well. The musical score, including background music/sounds, did well at makign me, as a viewer, feel uncomfortable and like anything could happen at any moment”
DawdlingPoetabout 0–15% inread it ↗
“muy bien llevado hasta el desenlace final”
daviddelnorte23about 75–100% inread it ↗
“managed to build up tension and suspense until one of the best movie climaxes i have ever seen”
victorheisenberabout 75–100% inread it ↗
“from start to the end”
NRNSWabout 0–100% inread it ↗
no tags yet — rate this flick to drop some vibes ✨