pulling the feels…
pulling the feels…
FLICKFEEL
58
from 108 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
55
how good a time it was
MEANINGFUL
33
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 108 comments (103 from Reddit, 3 from Metacritic, 2 from TMDB reviews) — 10 of them described how it moves.
Thin evidence — the shape below rests on 10 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“Starting at the end and doing a time jump backwards seemed pretty unnecessary, I wish movies would stop doing it when there’s no point”
Kangarou · Reddit ↗
“the third act podcast benefits joke taking too long to materialize”
Kangarou · Reddit ↗
“I really enjoyed the first 2/3’s of this movie”
aRawPancake · Reddit ↗
“really despised the ending. It wrapped up way too fast with its subplot with the cops going nowhere and completely unnecessary”
aRawPancake · Reddit ↗
“First hour though was very funny”
aRawPancake · Reddit ↗
“Started off pretty fun”
twavisdegwet · Reddit ↗
Read 24 Aug 2026 · confidence 83% · scored on the same 0-100 scale as a community score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“As usual, Araki gets mileage out of his bold art direction and color-saturated images, but the film’s greatest strength is its cast, including memorable supporting players who keep things humming.”
David Lewis, San Francisco Chronicle · 100
“This silly-sexy slice of pop-noir art world satire serves as Araki’s manifesto about the power and creative energy of the erotic, and it just might be the hottest, and most refreshingly honest, rom-com of the summer (replete with blooper reel).”
Katie Walsh, Chicago Tribune · 88
“Araki and Karley Sciortino’s script finds the comedy between the sheets and the vulnerability it takes to open oneself up to experimentation. It’s an outrageous story, but one that’ll provoke a few cheeky conversations and plenty of laughs.”
Monica Castillo, The A.V. Club · 83
“For a comedy about kinky sex, I Want Your Sex is surprisingly insightful and complex.”
Karen Peterson, AwardsWatch · 83
“In an indie landscape with an insatiable appetite for trauma and misery, it’s a breath of fresh air, a fun time that’s also a witty commentary on shifting sexual mores.”
David Rooney, The Hollywood Reporter · 80
Scores from Metacritic and Rotten Tomatoes, read 24 Aug 2026. Quotes belong to their publications and link to the full reviews.
it reviews better than it plays — critics 80, the watch 58
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“Starting at the end and doing a time jump backwards seemed pretty unnecessary, I wish movies would stop doing it when there’s no point”
Kangarou▲ 64about 0–15% inread it ↗
“the third act podcast benefits joke taking too long to materialize”
Kangarou▲ 64about 75–100% inread it ↗
“I really enjoyed the first 2/3’s of this movie”
aRawPancake▲ 33about 0–66% inread it ↗
“really despised the ending. It wrapped up way too fast with its subplot with the cops going nowhere and completely unnecessary”
aRawPancake▲ 33about 75–100% inread it ↗
“Cooper Hoffman plays a college grad who lands a cool job working for a popular, provocative artist (Olivia Wilde). Almost immediately, she enlists him to become her sexual muse and the kinky begins. While there are occasional comic asides, this isn’t really a comedy. It’s more a smart satire on interpersonal politics, the art world and, of course, sex. Director Gregg Araki has asserted his typically-bold hand in the look and energy, including a few quick animations and surreal flashes. Wilde goe”
TVJerryread it ↗
“Whether you encountered Araki’s grunge-era 90s films in a small side-street arthouse (thank you Lumiere, SF) or on late night cable— they felt nervy & truly underground. This 2026 effort is colorful but lighter than air. Olivia Wilde’s skintight latex clad pop artist/dom is a nice comedic creation. Hoffman is doughy & cute. This isn’t nervy or underground— but it is funny & fun.”
Muggsread it ↗
“Sex is one of those subjects that can be difficult to address on film. It can easily come across as shallow, silly titillation, as bawdy, shameless voyeurism, or as a veiled form of porn euphemistically garbed as a work of erotic art. What’s more, viewers going into theaters to watch offerings about this subject may have expectations that don’t reflect any of the foregoing examples or that don’t live up to what they anticipate, leaving many audience members frustrated and disappointed. But, ever”
Brent_Marchantread it ↗
“Extremely sexually explicit comedy version of "babygirl" where the sub is actually the intern. Some few funny jokes and decently executed but overall a forgettable movie”
Lenoread it ↗
no tags yet — rate this flick to drop some vibes ✨