pulling the feels…
pulling the feels…
FLICKFEEL
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from 7 comments
COMMUNITY
—
nobody yet
YOURS
—
…
FUN
28
how good a time it was
MEANINGFUL
5
how much it moved you
Two separate readings, not parts of the score — the score says how much of it held you, these say what kind of watch it was.
Nobody has rated this on FlickFeel yet. This is public discussion of this title, read into a curve. It is not a rating and it never becomes one.
Read from 7 comments (4 from TMDB reviews, 3 from Metacritic) — 2 of them described how it moves.
Thin evidence — the shape below rests on 2 comments. The shaded band is how wide the uncertainty actually is, and it is drawn to scale.
Not enough people said when to name this shape. The line is what the evidence draws, not a finding.
Hover the curveDrag across the curve to see what people said at any point.
“after a while that all just grates”
CinemaSerf · TMDB reviews ↗
“tras una magnífica media hora”
BigP4pa · Metacritic ↗
“la siguiente se siente un poco sosa, sin ritmo”
BigP4pa · Metacritic ↗
Read 23 Aug 2026 · confidence 1% · too thin for a score · how this works
Published reviews, not felt experience — a different question from the one above, and never mixed into the FlickFeel score.
“Scarface is one of best of the early gangster movies; its wit and building velocity speeds it past Little Caesar and keeps pace with Public Enemy.”
Mark Chalon Smith, Los Angeles Times · 100
“One of Hawks's undisputed masterpieces, and a landmark in the screen depiction of gangsters.”
Staff (Not Credited), TV Guide Magazine · 100
“Its seminal importance in the early gangster movie cycle outweighed only by its still exhilarating brilliance, this Howard Hughes production was the one unflawed classic the tycoon was involved with.”
Staff (Not Credited), Time Out · 100
“Gangster classic. [21 Jan 2005, p.C6]”
Michael Wilmington, Chicago Tribune · 100
“Perhaps the best (and certainly the most realistic and violent) of the great 1930s gangster films, with Paul Muni as an Al Capone surrogate. Directed by Howard Hawks at a flat-out pace, with thrilling shoot-outs and intriguing if depraved characters. [18 Jun 2013]”
David Gritten, The Telegraph · 100
Scores from Metacritic and Rotten Tomatoes, read 23 Aug 2026. Quotes belong to their publications and link to the full reviews.
Grouped by where it was written, because a considered review and a reaction typed an hour after the credits are different things. Every quote links to its source.
“tras una magnífica media hora”
BigP4paabout 0–15% inread it ↗
“la siguiente se siente un poco sosa, sin ritmo”
BigP4paabout 15–33% inread it ↗
“Продолжение эволюции гангстерских боевиков. Повествование, как и у «Враг общества» хаотичное и обрывистое, но теперь завезли больше экшена. Тони Камонте конечно крут, но сливают его, благодаря плохому сценарию, совсем бездарно. Ещё позабавил туповатый секретарь =)”
Archvile-UTread it ↗
“After waiting till this year to see this highly regarded vintage gangster flick, have to admit coming away somewhat disappointed. The whole thing looks good thanks to top cinematography by veteran Lee Garmes (Detective Story 51) and some nice touches from director Hawks, it also features some superbly staged crashes and gun battles but these seem to become overdone, and more in line with exploitation. These films were the action fare of their day but with so many being churned out, the line bec”
KenRread it ↗
“after a while that all just grates”
CinemaSerfabout 66–100% inread it ↗
“Immensely great crime-drama that features some great performances and excellent writing from Oliver Stone (and this coming from someone who isn't a big fan of his) to the direction by Brian De Palma. The score is great though still love the song "Take It to the Limit" during the money laundering scene. Still a few slots below the likes of The Godfather and Heat, yet still a amazing film that holds up so well. **4.5/5**”
JPV852read it ↗
“**A very violent film about drug trafficking and paranoia, with a great cast and a great production, but where everything is histrionic and exaggerated.** I caught this film yesterday on television and decided to watch it in full. I had already heard about it, and the good dramatic performance that Al Pacino had, and so I decided it was time to see for myself. Directed by Brian de Palma, it marked its time, but is currently somewhat forgotten. It's understandable: in addition to the gratuitou”
Filipe Manuel Netoread it ↗
no tags yet — rate this flick to drop some vibes ✨